Abstract: The ideals of equestrian technique combine art and science. Therefore students of equitation
encounter measurable variables such as rhythm, tempo and impulsion alongside more ethereal ones
such as outline and harmony. This mixture accounts for many of the idiosyncrasies of equestrianism
including the subjective scoring of performance in dressage tests, the elusiveness of perfection even at
an elite level of competition and the difficulty of expressing equestrian technique in empirical terms
(Roberts, 1992).
This chapter will describe and offer examples of the unwelcome behavioural responses horses
produce under saddle. Two broad sections are then proposed to allow the reader to consider
unwelcome behavioural responses caused directly by humans as distinct from those attributable more
to the horse than the rider. Ultimately the responsibility for problems in the ridden horse lies with
humans since we have undertaken the domestication and exploitation of equids. Therefore it is
accepted that the dichotomy is not absolute. The chapter closes with a